art, art access, public art, exhibitions the urban atelier art, art access, public art, exhibitions the urban atelier

Finally!!! The TalkTalkConvo Mini Doc

My new mini doc!

This documentary documents my TalkTalkConvo experiential piece that took place in several Jacksonville area libraries. I used the library as an artspace for several reasons; chief among them being art access. So often potential art viewers don’t necessarily feel comfortable in gallery and museum spaces. I most wanted to present this piece in a space that welcomed everyone. Minus the setup and breakdown time, loading in and loading out, I had so much fun doing this. My Mom who is like my art show roadie was amazing. I am also sure she was ready to kill me by the end of this experience. This was also a test of a Mother’s love!

This film is just a snippet of what I did for TalkTalk Convo but it means so much. I love the way everything came together in the end. Documentation is such an important component of the art process. It was actually the primary focus of the grant I received from Community Foundation. Though documentation is an important part of the process, it is often thought of last and in an unenthusiastic and perfunctory way.

So here it is. My whole-hearted and intentional documentation of my project. TalkTalkConvo. Thanks again to Isaac of Jellyfish Smack Productions who did the filming and Emily Connor who suggested him. He’s amazing. Take a look at the rest of his work too while you’re checking things out.


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Art Changes Things...

An Art Endeavor

The Aesop Project started as an art endeavor I was working on with a group of artists I’d worked with in the past. The Republican National Convention was on its way to Jacksonville. One of the artists I’d worked with previously called me up and said she felt like we needed to do something; something to present Jacksonville artists to the world. She was hoping to use the spotlight that would be shined on Jacksonville to showcase us as artists. I agreed but added that the political nature of the timing couldn’t be escaped. I didn’t want us to squander an opportunity to speak up on several important cultural, civil rights, and human rights moments that had taken place over not just the past year but spanning the entirety of the Trump administration (and further back honestly). I felt we should speak on these issues specifically and not generalize and coalesce into a unity/kumbaya moment. Not that there is no place for it, but it is simply wasn’t the right time. It is because America has eschewed discussing the difficult things, talking around race and other important topics, I believe that we are where we are right now.

art changes things is my point. It not only changes spaces and surfaces but it also changes perspectives, mindsets, and relationships.

To make a very long and overly dramatic story short, the rest of the group disagreed and in the most disrespectful of ways. I thought it ironic considering they wanted a show of unity. Sad. Considering at that point I’d already shared a number of my project ideas with the group.

Still Compelled

Though a little salty, I still felt compelled to continue forward to complete a project that spoke to current events. I still wanted to work collaboratively with an art crew, so I reached out to other art friends whose work and ideas I’d loved over the years but hadn’t had or created the opportunity to work together and a few folks said yes. Some felt, I’m guessing, that to create artwork in this way would be too political, polarizing, or negative. I didn’t take their desire to not participate personally, simply a manifestation of the culture we live in. People are so often ostracized for their personal opinions; right, wrong, or indifferent. I understood. None of those designations really matter though. To stand up and use your voice for what is right is never a comfortable position. This election is like no other I’ve ever seen. There is no sitting on a fence this time. There is no decision not to participate. We are in a fight for our democracy. This isn’t about politics at all.

My biggest reason for facilitating this collaborative project is because I truly believe that art changes things. I believe that when artists approach a problem or concern they see things from such a unique perspective.

This project to me and the way I have chosen to disseminate the message isn’t about speaking in an echo chamber with those I know who already agree with me, it is about reaching out to those who may be looking at things with an obscured viewpoint.

Dissemination Is The Way

The ways I’ve chosen to share what Aesop has created:

There are other things I’m doing as well, but I digress, art changes things is my point. It not only changes spaces and surfaces but it also changes perspectives, mindsets, and relationships.

See for Yourself

Take a look at “I Can’t Believe This Is Happening”

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art, an artist's life, photography, public art the urban atelier art, an artist's life, photography, public art the urban atelier

Pre Corona

When I think about the things that seemed unusual or extreme before Coronavirus it seems odd to me now. I was at Dollar Tree (one of my favorite stores) and I saw this gentleman. I had gone to look for water and other supplies. I took these pictures March 5, 2020. #perspective

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artist, public art, muralists, inspiration the urban atelier artist, public art, muralists, inspiration the urban atelier

Another Art Crush.

A friend in Philadelphia told me about Stephen Powers’ work and I’m so in love 😍😍😍

He’s an artist that’s works heavily with typography and if you know me, you know that’s my fave. His project, Love Letters is so inspiringly simple, it’s genius. Mainly bright colors and sentence fragments from would-be poems, the words leap from the wall. Why hasn’t anyone else done anything like this? Just proves that the perfect idea doesn’t have to be complicated Or multilayered, just one that resonates.

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